Still Thinking About…: A Roundup

Caillebotte and Monet at the Santa Barbara Museum of Art’s ongoing exhibition Degas to Chagall: Important Loans from the Armand Hammer Foundation. Um, hello Hammer frames.

Mel Bochner’s wordy self-portrait at the Jewish Museum.

1_Self-Portrait-1000.jpg
Mel Bochner, Self/Portrait, 2013.

Also at the Jewish Museum: Repetition and Difference. Archival, contemporary, thoughtful, pretty damn brave.

7a9c5_jan29_jewishmuseum_img
Left: Amalia Pica, Stabile (with confetti) (detail), 2012. Paper and transparent adhesive tape. Courtesy the artist and MARC FOXX, Los Angeles. Photo: Robert Redemeyer, 2013. Right: Spice Containers, anonymous artist. Poland and Russia, 19th century. Silver. The Jewish Museum, New York. Gift of Harry G. Friednman, and the Rose and Benjamin Mintz Collection.

Anthony Discenza and Peter Straub‘s maddening installation about “the obscure 19-century artists’ movement known as Das Beben” at the Contemporary Jewish Museum. I read through it, paused, went back to the beginning, sat down for a bit, smiled, frowned, and then watched a few other people do the same. We all discussed, and then agreed that there is a 90% chance that Das Beben is not real. But I still don’t know. I still. Don’t. Know.

 

Josh Greene’s Bound to Be Held: A Book Show, also at the Contemporary Jewish Museum. (These Jewish museums, man!) So cozy. So right up my alley.

GreeneCover
Installation view of Bound to Be Held: A Book Show. Photo by Johnna Arnold.

Power and pathos at the Getty, obvs.

Victorious Athlete, “The Getty Bronze,” 300-100 B.C., bronze and copper. The J. Paul Getty Museum

Creamsicle-colored plaster surrogates at MOCA.

Allan McCollum, 60 Plaster Surrogates (No. 3), 1982-1990, enamel on hydrostone, Museum of Contemporary Art, Los Angeles

Toshio Shibata’s giant, textured photos of the built landscape at PEM a few years ago.

ts-05
Toshio Shibata, Kurioso City, Tochigi Prefecture, 1989

Rebecca Baumann’s colorful, emotional roller-coaster of a clock. (And the rest of Baumann’s practice, which I wrote about here.)

04.Baumann-ACF11
Rebecca Baumann, Automated Color Field (2011), 100 flip-clocks, paper, 130 x 360 x 9 cm, 24 hours. Photography: Andrew Curtis. Originally commissioned by the Australian Centre for Contemporary Art for NEW11

…AND the entire Color Fields show at the Bakalar & Paine Galleries last year. My first time touching art! Profoundly impactful. Profoundly fun.

Falcone_fullsize
Sonia Falcone, Campo de Color, 2015.

Still thinking about…: A Roundup

Alyson Shotz‘s sublimely beautiful, scientifically informed installations.

Alyson Shotz, White Wave, 2013. Edythe and Eli Broad Museum, East Lansing, MI. Robert Hensleigh.
Alyson Shotz, White Wave, 2013. Edythe and Eli Broad Museum, East Lansing, MI. Photo by Robert Hensleigh.
Alyson Shotz, Geometry of Light (2011). Photo by Jeremie Souteyrat.
Alyson Shotz, Geometry of Light (2011). Photo by Jeremie Souteyrat.

Theaster Gates‘s visually and aurally stunning video Billy Sings Amazing Grace.

Jehan Georges Vibert’s challenge to 19th century photography in black and white oil paint.

Jehan Georges Vibert, Apotheosis of Louis-Adolphe Thiers, c. 1878.  Harvard Art Museums/Fogg Museum, Gift of Benjamin S. Bell.
Jehan Georges Vibert, Apotheosis of Louis-Adolphe Thiers, c. 1878. Harvard Art Museums/Fogg Museum, Gift of Benjamin S. Bell.

Wolfgang Laib’s cozy wax room at the Phillips Collection.

Wolfgang Laib, Wax Room. (Wohin bist Du gegangen-wohin gehst Du?/Where have you gone-where are you going?), 2013. The Phillips Collection, Washington, D.C. Photo by Lee Stalsworth.
Wolfgang Laib, Wax Room. (Wohin bist Du gegangen-wohin gehst Du?/Where have you gone-where are you going?), 2013. The Phillips Collection, Washington, D.C. Photo by Lee Stalsworth.

Fallen Fruit‘s tasty wallpaper and even tastier public engagement project at the Skirball.

Anish Kapoor‘s black (blue) hole.

Anish Kapoor, At the Hub of Things, 1987. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Marion L. Ring Estate, by Exchange, 1989.
Anish Kapoor, At the Hub of Things, 1987.
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Marion L. Ring Estate, by Exchange, 1989.

Jean-Michel Othoniel‘s giant peony-colored tangle of handblown glass beads.

Francesco Pesellino’s intimate and tender Virgin and Child.

Francesco Pesellino, Virgin and Child with Swallow, mid-1450s. Isabella Stewart Gardner Museum.
Francesco Pesellino, Virgin and Child with Swallow, mid-1450s. Isabella Stewart Gardner Museum.

Alice Oswald’s heartbreaking performance of her book Memorial: An Excavation of the Iliad at the Hammer last year.